Desert Mirage
You’re finally growing wings, extending between the hand and the body, between each finger bone, morphing homologous to the flying mammal. You’re clawing the men who plough you; sucking nutrients from those that can afford you.
I can see you grounded on my ceiling, kneeling by master beds, on rich carmine-and-indigo Turkish carpets. I can see you napping under tree hollows; dreaming of escapades when you’re not texting your people in palm-lined fishing villages back home. You’re nearly there! It takes six lives living in an inverted world to reach where I am—at the roosting corners, hanging by talons, amusing yourself with a world upside down.
Your skin burns, you hide away, but they drag you by your nimble feet, lure you with jobs of coloring nails, polishing skins or making hair shine like gold. Pity, you forgot it’s the land of gold—liquid gold—where you’ve been transported, and now, you must service its equivalent to barely survive. Of course, you get visions of the unending poverty you were sick off, the barely-there food in your home that spurred you to fly. But these days, you let the weight of your body be pulled by the tendons connected to your talons, and clenched forever. And ignore them that hurt you. In the aftermath of violent dust storms, you remind yourself that however deep they tunnel into you, they’ll never be able to dig gold out of your souls.
You hang laundry on clotheslines to demarcate spaces in huge sweating halls you share with more of yourselves, and sleep like human pyramids so the desert wind can’t dry you out.
Vinnie cries—Hey! Look!—Before the man can stroll out of her room—leisurely, satisfied. You enter after he leaves. Can’t believe he gave her a shimmering purse. The other girls crowd around her. Ooh! Ahhh!—render the grimy air. You think of Abdullah who gave you a real kiss. Does he really adore you?
So early next evening, you’re a vampire bat. You are not making an exception; you confront Abdullah, draw blood when he doesn’t answer you. His hit makes you fly across the room. He watches, as you spread your digits, hang upside down, and launch yourself to flight. Do I see you hover a second over the curled-up floral bed covers and pull the glass chandelier down?
Now, your squeaks bounce off the walls, the corridor with paneled blue-and-magenta stained glass, the mosaic halls and whirl around the other embryonic bats, blinding them.
Ah! You bid your sisters adieu! Come, I say, fly to me. You’re done your six human lives.
Afterwards, we stretch our midnight-black wings sideways to our bodies and hang out together on their ceilings, watching the girls still over there.
You hear me whisper—They’re only desert mirages.
Mandira Pattnaik's poems have appeared in/forthcoming in The Times of India, Prime Number Magazine, MayDayOnline, Eclectica Magazine, Panoplyzine, Not Very Quiet, West Trestle Review, Variant Lit and Feral Poetry, among other places. Her work "Love Poem to the Peepul" (FartherTrees) was nominated for the Pushcart Prize 2022. She also writes prose. More at mandirapattnaik.com
Other Works
All the Seasons of Bread
by Evan Isoline
... I’d do it for the skull-suckers / I’d do it for the silences of green you’ve carried / and the salt of the horse / I’d do it for piles of soft bread in the late afternoon ...
Salvo
by Robert Beveridge
... We ran against / the sun, tried to eat the moon ...