Exorcising the Elephant
Someone’s granddaughter, trussed
for devour, famine seized,
like senna leaf wrestles the weary
from lethargy’s yawn, and respired
hunger as an art to chisel
through her body. Sinew and nerve
store memory—like the bruised
mattress her mother’s mother stuffs
with portraits of dead men
to summon if: roots let go, runoff
spits on the porcelain,
or the girl needs repair—
so granny’s little Thunder Thighs
drives the cross
cut from fat to ivory
stone, burns meat off marrow,
blunts every muscle’s memory
of late nights limbs played dead,
and her spirit fled to nana’s
kitchen—where Holy smoke unspools
hair—to curl inside her
a cappella lore
and self-possessed laugh,
after she’d sucked the last
meat off a skinned calf’s bone.
Riayn Spaero is a writer, independent filmmaker, and performance artist. Her work has appeared in or at Rogue Agent, Autofocus, The Believer, Longreads.com, The Bushwick Daily, and The Columbus International Film + Video Festival. Spaero is embracing changes to her plan, while reconnecting with her culture's healing arts and the words and rituals of her grandmother.
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